
It’s Boxing Day, and the fourth anniversary of the great Tsunami that devastated coasts and killed thousands upon thousands all around the Indian Ocean. Odd how succeeding waves of events have served, for those of us with only a media connection to areas affected, to wash that overwhelming cataclysm into the background – although doubtless, untold thousands continue to suffer its consequences.

There is a sense of haste in this book – lines I would have excised, occasional excesses that are, considering the subject matter, wholly understandable – but never does poet fall into bathos. The best poems are supreme accomplishments of emotion, vividness and restraint. Here are some highlights:
THE LAST PICTURE
Imagine
a ninety-year-old painter,
strong, body
like a leather stick,
skin burnt
from so many suns
and walks
along the beach,
a natural
philosopher, verile,
inspiration
for his grandchildren
who play in the pools
watching small fish
the last wave
brought in.
Imagine, a holiday,
a full moon,
the family
back at home,
and he finishes
his still life:
a giant wave,
agitated, dirty,
the waiting sand.
INTERPRETATION
Mass
at Our Lady
of Matara
was
interrupted
that Sunday
morning,
her doors
flung
open
to greet
the
prodigal
son.
SILENCE
Bodies float in my silence,
trees are uprooted, waves
masticate timber, split
roof beams, in my silence,
babies tossed into palm
fronds, old man alone
on a beach engulfed
by seething mobs of foam
and spray, in my silence,
moments of clairvoyance
seeing whole populations
of islands and coastal wetlands,
inlets and lagoons, splits
and wedges of sandbars
and sandy points, convulsed
by churning of dirty grey
water, this starfish-laden
fish-spouting sea
turning blue again slowly,
in my silence.
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