Showing posts with label Montreal. Show all posts
Showing posts with label Montreal. Show all posts

Monday, August 31, 2009

Our Lady of the Harbour

In Suzanne, the great song by Leonard Cohen, he refers to "Our Lady of the Harbour". Well, here she is, on top of the cathedral Notre-Dame-de-Bon-Secours, here in Montreal. Around the base (below) and on domes on either side are angels. Angels also figure prominently in that song, as well as other Cohen songs and poems.

(NB, this post will be referred to in an upcoming interview on the online PQ magazine.)

Thursday, January 03, 2008

Cafe Volver

"Since Feeling is First" by e.e. cummings
(Click through to see large)

Volver is a new cafe that just opened up in my area -- at 5604 ave. du Parc, just above St-Viatur. Owned and run by two Argentenian women, Nora and Sofia (that's Nora pictured below), it aims to be a Latin American-style "cafe culturel", with art exhibits, music performances and poetry readings. What won me over especially is its poetry friendliness: laminated on most tables is a poem. Most are in French and Spanish, by the likes of Paul Elouard, Emile Martel, and Octavio Paz; above is one by e.e. cummings. Light, air, and friendly cheer warm up this cavernous space. At the present time, events can be booked for free. I've booked the next League of Poets (W)Rites of Spring fundraiser there, on April 3. On Sat. Jan. 19, there's a Peña -- a celebration of music, poetry, & song -- to which I've been invited; other performances are on the books, and bulletin board outside. At the same time there's lots of cafe competition in the area -- The Depanneur, The Arts Cafe, and Cagalie (formerly the Cafe Pharmacie Esperanza) are all homey places that stage events and vernissages (otherwise known as art openings), and Cafe del Popolo, Montreal's mini-Mecca of spoken word, is not too far away -- so I can only hope this one takes off.


Monday, December 17, 2007

SNOW DAY




No teaching tonight -- Montreal schools are closed after last night's storm. It's the second snow day in two weeks. Here, the chairs on my balcony, a "cardrift" seen through my window, and the window through which I took that photo, beside the desk where I write.

Saturday, October 13, 2007

Tale of Two Cities: Subtext

Reflecting on my rather peevish post comparing Toronto and Montreal below, I realized that there's a subtext for those not in the know about these two cities. For me, it went almost without saying -- well, almost.

That subtext is: Toronto is basically soulless. At social functions, opening gambits frequently begin with not just with what you do, but how much you make, even the kind of car you drive; more than a critical mass have swallowed the North American money quest hook, line, and sinker; because of TO's high cost of living, if you aren't making a significantly high income, you're a second- or even third-class citizen and feel like one. TO has a dominant type: he wears a suit and carries an attache case.

In Montreal, there is no dominant type. Until recently, it was possible to live quite well in Montreal on very little; it remains, even amid an unprecedented apartment shortage, one of the most affordable cities to live in North America. Add to that the architectural and even geographical beauty, French culture, a certain laissez-faire quality that runs deep, particularly among the Quebecois, and well... that's the prism through which to consider the paragraphs below.

Of course, describing the social mores of two such different cities is rather like a blind man trying to describe two elephants: the only difference is, I've been feeling (and feeling up) those elephants all my life!

About my rather superficial style and fashion emphasis, which even, on some levels, annoys me: one ex-Toronto friend who had trouble relating to this city exclaimed on day, "Montreal is nothing but a fashion show!" (He since left.)

I can see what he means -- but if people are going to be relentlessly superficial, why not be relentlessly superficial in an attractive, stimulating way, rather than a drab, colourless way?

Tuesday, October 09, 2007

TALE OF TWO CITIES

Just came back from a Thanksgiving trip to Toronto, my old home town, to visit my mother, my father in an Alzheimer’s ward, and to drop in on some friends.

As always, I have been engaged in a favorite mental exercise: comparing these two cities, so close to each other (well, 6 hour’s drive – but not far apart by North American standards) and yet so different.

One thing that always strikes me, after having been first infatuated and by now – after more than a decade and a half – inured to the graceful disorder that is Montreal, is how drab and clunky Toronto is. Sure, TO has some pleasant shopping strips, extraordinary residential areas, and beautiful parks, but these seem overwhelmed by great swaths of urban ugliness. After a few days spent in that city, driving down eyesores like Eglinton Avenue or Dundas St. or the Danforth or even Spadina and Queen, my eyes felt literally -- sore. Hard-edged buildings and a mess of fluorescent signs. It’s so refreshing to be back in my new home town with its cornices and curlicues, spiral balconies, cathedrals and – French commercial signs. The contribution of latter to the relative gentillesse of la belle ville is not to be underestimated. French isn’t nearly as punchy an advertising language as English: more and longer words are generally required, and therefore smaller fonts. Instead of SALE! SLASH-DOWN PRICES! You have RABAIS! LIQUIDATION! Softer even to pronounce. Thus even an ordinary street like Jean Talon near Acadie – comparable perhaps to Eglinton Ave. – seems softer, more soothing. While driving around TO, one of the ways we amused ourselves was noting signs that screamed a weird, hard Anglo Saxon vulgarity. CUT N’ RUN HAIR PLACE. LION’S ROAR BISTRO. WONDER NAILS. WILD MOOSE BAR AND GRILL. PONDEROSA STEAK HOUSE. THE MARKETPLACE. MAGICASH. etc.

Perhaps the uninspired urban environment passes itself on to TO’s fashion sense – or rather, lack of it. The clothes people wear are – almost without exception -- drab, drab, drab. Standard business attire (prominent in this ville) -- or track pants, jeans, t-shirts, baseball caps, etc . Besides a variety of “melt in the crowd” non-descript looks, a popular stand-out look among women seems to be an extreme of glittery low-cut sleazy. (This from sitting on Queen St’s Rivoli terrace for an hour and checking out the people passing by.) We also saw tacky and not apparently conscious mismatches of style and colour: a tight blue-white striped top such one might see at an office over a sheer, glittery black party dress; a polkadot pink tank top over beige spandex. My partner and I checked out all the clothing joints on Queen St, and drove past those on Yonge – remarkably ugly (to our eyes at least), and cheap (except for the price tags). One place that appealed to us on Queen St. turned out to be La Cache, a chain of elegant Quebec-designed clothes based in Montreal. (Clearly, my partner's unerring fashion sense -- famous among friends and family -- has rubbed off on me. If I weren't with her, I probably wouldn't be looking at those stores.) Of course, TO has its Yorkville and its huge Holt Renfrew on Bloor for a particularly well-heeled moneyed look. But that requires serious cash, and even then, the taste that walks out of those doors is often peculiarly crass-looking.

Some cities have aesthetic sense, others just don’t, and Toronto, I’m afraid to say, just doesn’t. Chalk it up to its Presbyterian past – the systematic denial of image in its founding years that despite recent waves of multicultural incursion it still doesn’t quite manage live down. Catholic cities seem to have a better-developed sense of colour and décor. (Of course, Toronto is also about half as old as Montreal, and like most North American cities, suffers for it.) Toronto takes its cues from straight-edged London and New York; Montreal from suave Paris, and no other people have a more exquisite sense of style – from fashion to perfume to pastry – than the French. Beautiful women abound in just about any urban centre, but they seem to stand out, and present themselves with a greater self-assurance, in Montreal. In French culture everything is mediated through the senses; in English, through the pocketbook and an inbred sense of fairplay. Please excuse the frivolous – and highly subjective – sound of all these generalizations. I am speaking gestalts here. Spend any amount of time in these two cities, and the differences will leap out at you.

There are of course other points of view on the Toronto/Montreal question – and I give credence to them because I partly share them. One CBC (Anglo) journalist who lived in Montreal for a number of years and then moved and settled in Toronto proclaimed that Montreal may be a better place to visit, but Toronto is the better place to live. The latter part of that claim I find dubious – unless you earn or inherit a considerable wad you’re likely to have to resign yourself to a crummy basement apartment – but I can see why someone of a reasonably high income bracket (and I assume that journalist is) might see things that way. Toronto is a city of quiet, tree-lined neighbourhoods right downtown, and it is these neighbourhoods, so easily overlooked by a casual observer, that are perhaps its greatest cachet. One German architect, after ascending to the lookout near the top of the CN Tower, exclaimed, “I can’t believe it! 4 million people living in a forest!” From up there, that’s all you see over many residential stretches: the tops of oak and maple trees. If you have the means to buy into that – a number of my friends now have, and I’ve experienced their solid homes and lovely backyards -- then you will have your own leafy enclave from which to enjoy the many offerings provided by TO’s urban tangle. Even if you don’t, offerings there are aplenty.

Every cultural scene TO is quite hopping: film, theatre, music, dance, you name it, from the highest echelons to a thriving (if always struggling) underground. For top-flight readings by top-flight authors, nothing in the country compares with the Harbourfront series. Look through the literary listings in Now or Eye magazines: you’re likely to see readings and launches happening almost every night. The financial/advertising/publishing capital of Canada (Canada’s little New York – but without NY’s sense of humour), TO supports Broadway-style theatre, opera, a world-class symphony, the country’s biggest museum, art gallery and film festival. (Torontonians, by the way, are film addicts – I’ve known a number there who see 3, 4, 5 films a week, and get full passes to the festivals: maybe it’s a way to escape the city’s dreariness.) People come to TO primarily to work, and there is a buzzing work energy there that extends into the arts. It’s an excellent place to hobnob and network, if that’s your thing. People work hard, and a significant portion, evidently, play hard. On a CBC documentary last weekend I learned that TO’s entertainment district (bounded by what? Just north of Bloor? East of Church? West of Bathurst?) has 88 nightclubs, the highest concentration of nightclubs in North America. A phenomenal statistic for what was once called “Toronto the Good”. For all that, Toronto remains a city of cool, efficient energy. When I lived there, a common complaint was that it was a city with many things to do, but strangely without a pulse. Now I feel a definite pulse – hard, plodding and constant, like the motor of a barge ploughing through its harbour’s icy waters in mid-winter.

Wednesday, June 21, 2006

CARNIVALE


Back in the late '70's a certain Sengalese master drummer started holding drum workshops on Sunday afternoons in the park around the Georges Etiennes Cartier monument at the foot of Mont-Royal, the mountain from which the city of Montreal derives its name. Aside from the pleasure of playing outside in a beautiful green space in summer, the advantage was that this was one place he and his students could pound the skins without bothering neighbours. Soon they attracted spectators, among them youthful free spirits who danced to their accomplished syncopations. Later more spectators came, more dancers. Eventually there were hundreds, then thousands gathered around the monument on the hill. A mini-economy developed around them: people hauled up coolers to sell beers and soft drinks bought at the nearest depanneurs (corner stores); others spread blankets to sell hand-crafted jewellry, candles, hash pipes, carvings, used clothing, and yes, more tam tams.

Back about fifteen years ago when I first went the Mont Royal Tam Tam was a world unto itself -- spontaneous, raw, unregulated, magical -- a kind of Andean/Californian/African market populated by ex- and neo-hippies, a lot of them high, if not on life itself, on other soft substitutes. (And the tam-tams, as many as fifty players at once, were DEAFENING.) It seems, for an amazingly long time (one more example, some would say, of Montreal laissez-vivre) authorities looked the other way. But finally the day came when police cracked down on drug use and unlicensed beer-selling, and complaints about the messes left on the side of the hill lead to other civilizing effects -- rows of outdoor toilets, garbage baskets, constant police patrol -- so that now these Sunday afternoon celebrations seem much tamer, more like, well... a well-organized folk festival.

Anyway, after going back about three years ago and sidling among the crowds, I wrote this poem. I think I was more affected by the memories of former times than the present circumstance, which served only to stir them. After the poem was turned down without comment (as is usual, of course) by eight reviews, I answered a call for submissions in the QWF newsletter from Carve Zine, a local zine devoted to publishing Montreal writers. I assumed that at least they would appreciate what I was writing about. And sure enough, a mere 23 hours after emailing the submission in, I got this letter, perhaps the fastest acceptance on record, certainly for me:
...I'd love to include Carnivale in the Spring issue of Carve: it's so invigorating and hypnotic -- a very springish lure. I can pay through comp. copies, and plan to print in mid/late May....
Gratifying, in its way. Anyway, here goes:

CARNIVALE

From everywhere they come
from chasms in the galaxies
vents of distant dimensions

to this mountain in the sky
to bend, blend to the thrum
to the thrash & thrap of drums
limbs flaring, flying
a blur of tan & green
swaying in motley unison
to the crack & clap of drums
while around them sellers gather
to spread their coppery wares
menorahs, nose rings, phials,
anklets, opals, viols
while onlookers on the grass
suckling flutes of glass
strum their wooden women
dream wings into skies
rise, weave, whirl
to the tam tam tom of drums
rise, weave, whirl

vents of distant dimensions
chasms in the sky



Carve Zine is a hand-stitched affair on high-quality vellum. To get a copy send $7 by cheque (made out to Andrea Belcham) or cash, to 96 Parkdale Ave., Pointe Claire, Quebec, H9R 3Y7. E-mail: carvezine@gmail.com


Some Montreal Tam-Tam sites:

For a video of the Tam-Tam (and this one gives you a better idea of the full extent of it at a peak moment), see here.

For a site with photos and links (from which three of these photos are taken) see here.

For a more detailed history including how the Tam-Tam got started, see here.


Tuesday, December 20, 2005

Betcha MY snowbwower's bigger than YOUR snowbwower...

View thru my front window again (picture taken last year; this time they thundered past in the middle of the night). No plow here (it just preceded), but I'm reminded of a rare memorable poem by rob mclennan:


snow. plow.

love, I compare you instead
/a snowplow not a summers day
completely unaware

of the cars you've set to burying
scraping fenceposts & fire hydrants
-- the long clear path
for everyone behind you

wham bam, the radio quotes 20cm
my body becomes ice

Sunday, December 18, 2005

MONTREAL VERNACULAR


Photos taken around 9:30 in the morning of this Friday's snowstorm. Below, the drifts by my front door; above, the view from my front room window. About 20 cm had fallen in little more than an hour; about as much again was yet to fall. Yet the view is about as pristine as daylight afforded. Soon people would be shovelling their stairs and digging their cars out (some have already, presumably to go to work: two students of mine said they spent four hours in traffic jams that day). Ploughs (except for the little ones that do the sidewalks) haven't come by even now as I write.

These walk-ups, by the way, are humble examples of "Montreal vernacular" architecture. Far more spectacular streets of twisting spiral staircases, ornate balconies and funky cornices exemplary of the style are just blocks away... but this street is pretty typical of the Plateau and Mile-End areas of the city. (To see more Montreal architecture -- a major reason I enjoy living in this "ville des balcons" [city of balconies] -- check out this webshots site. Click on "View Slideshow" and you'll get a virtual "tour de ville".)

Tuesday, May 03, 2005

ESPERANZA

Just came back from Cafe Pharmacie Esperanza, our favourite writing haunt of late in this fortunately cafe-filled Mile-end neighborhood ... this one a youthful studenty place with mostly crappy art on the walls and marvellous homemade soups and bowls of cafe au lait served by pierced and tatood young waitresses. Choice of music: alternately raw independent hip hop or lost lonely twang twang with reedy voices or summer of luv throwback (Donovan-Beatles etc) or even (today in particular) dustbowl Woody recorded on cracked wheat toast. Style: funky gentle, turquoise, raw blonde wood. A place of tippy yardsale tables & low-slung mid-twentieth C. sofas & nevertheless an outlet at almost every wallside table where the young and the wired can plug in their laptops and do their homework. Where I just wrote a prose poem. & Hey, it looks good!! & my partner wrote a page of her novel. & it looks good too! & as always with new writing, we're letting them idle for now, our respective pieces, to steep in semi-subconsciousness...on to other things...